This uncensored confession of an independent film producer is being shared with readers that want to be in the entertainment business, are in the entertainment business, or are usually fascinated by the entertainment business that will thrives outside of the glitz of celebrity. I am only one of many independent film producers that work hard to make films to feed their creative passion and pay their bills. Producing indie movies is always frustrating and extremely thrilling at the same time.
One the most annoying jobs of any movie producer is finding film financing to create an independent film that does not have known actors attached to the project. You happen to be asking movie investors to back again a project written by an unknown screenwriter which has no bankable celebrities attached, and that is being visually guided by a very first time director or one with restricted credits. That is a tough sell. The world is fascinated with celebrity and movie investors are no different.
You can have a dynamite script, talented unknown actors, film director with vision, and your desire as an independent film producer on your side, but without some sort of hook chances of finding film cash will not happen. I have found myself for the reason that position as a producer of self-employed entertainment. What did I do?
Honestly, as a producer I knew with no stars attached to a project I had to include visual elements that would translate to worldwide audiences. I kicked in the violence, sex, and nudity elements because they fit with the two projects I had been producing. Both screenplays were composed to realistically depict strong subject matters, human flaws, and image content based on characters that lived lurid lives.
Whatever type of project you have there is going to come a place, unless you are independently wealthy, where you stand going to be confronted as an independent movie producer that you are going to need to compromise on what will be shown to get film investor backing. In one case I had an interested movie investor tell me flat out that she wanted the project to have an European film nudity flavor. She read the script and knew it well. The on-camera nudity and sex moments should be tasteful, but hot within her opinion to appeal to a worldwide audience of buyers and not only US viewers. I assured her that I would and she invested with her boyfriend.
The lesson learned is to always find different tow hooks for your movie that makes it attractive to the particular film investors you are pitching to get funding. It could be a film investor is passionate about something that can easily be folded into the screenplay to appeal to them. Gifted screenwriters, independent movie producers, and film directors are masters with being able to work in a plug or even scene for specific investors. To me it is just like product placement done in major studio movies, but in the indie level it is a more individual pitch to individual movie investors.
Once an independent movie producer obtains film financing for a project there is a rush that is indescribable. Each maker has a different reaction. That euphoria and high quickly disappears since now it is time to go to work. You happen to be already exhausted from the grinding money hunt and then all stages associated with production begin. Next thing you know issues start to develop on set that can range from technical issues to throw and crew difficulties. Now you are planning, “I am screwed! ” As the independent movie producer it is your ass on the line for the money invested to accomplish the film.
Actors and crew can quit anytime during a completely independent film shoot. There is nothing immediately that you can do as a gutsy film producer if they happen to be not committed to honoring their actor’s agreement or crew agreement. This is simply not a studio production where you possess the luxury of hiring an enjoyment attorney to sue. The reality is there isn’t the time or money to go through that will. Going to film investors that have bankrolled an indie movie to tell them production has shut down and you require more money to hire an entertainment lawyer will end your career early.
A completely independent movie producer is basically alone to repair problems and take care of business to complete a project. That is not the ego of the movie producer’s mind coming out, this is a simple reality. When everything turns out good you are a superstar to cast, crew, and movie investors. When it goes to shit, you are the dung beetle in the eyes of everybody. The life of an independent movie producer is not for the timid.
Now you end up with a completed movie that you want a film distribution deal for. The hot indie entertainment buzzword is digital movie distribution. That is definitely where it really is going and where independent film producers will make money for their projects. As of right now digital movie distribution still is not up to speed to include indie produced entertainment in real cash income. Studios are still trying to figure out how it is going to work.
Like with any new technology you will definitely have companies pop up that focus on independent movie producers. It makes sense. Without the talent and risk taking moxie of independent movie producers that can compare with for any distributor to sell outside of mainstream entertainment. Imagine how boring enjoyment would be with only mainstream viewing choices.
This is where frustration turns to the extremely thrilling part of being an impartial movie producer at the best time possible. DVD is not dead, but is slowly fading out. I look at declining DVD sales as a good for indie producers. The truth is there are movie distributors that cater to impartial cinema that will try to screw producers over financially by using DVD manufacturing and marketing fees as the weapon every chance they get. Not all are like that. Many are honest and fair with their accounting practices.
But there are always crooks, liars, thieves, and piles in every business you will deal with. That is a given in life as a whole. Giving it away for free or being shortchanged on royalty payments owed is not really an option for me. I read Eileen Moore is suing Harvey plus Bob Weinstein, alleging that the two brothers used “classic Hollywood data processing tricks” to screw him away money he was owed. I have no idea on the real truth, however it shows if a millionaire filmmaker can be worried about not getting paid, any independent movie producer better view their ass too just in case.
The particular thrilling part of being an independent film producer at the right time, that is right now, is digital movie submission is opening up indie entertainment to some worldwide audience. This leads to more audiences and more money being earned by filmmakers.
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Profit is not a filthy word in my producer’s book. We are not independently wealthy or can afford not to make money from entertainment I create. I see digital movie distribution because the best platform to distribute self-employed content and make money for traders, as well as the creators. These were the ramblings of independent movie producer Sid Kali.